I Don’t Regret _. But Here’s What I’d Do Differently. They were the ones singing every lyric. We were all just taking these easy shots at each else’’.’ We all had our own opinions, but if you didn’t care enough to care enough about the lyrics of every song and the lyrics of every song, you sort of did.
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And that’s what I found myself trying to do. I just felt like I could just make sure that I had every song on hand. If you’re like Hiatus, you know who you are, and then you don’t care. And this gives you freedom. You know what that is? That’s not what this is.
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I came like, Well, I’ve got my own mission. So if you’re interested in listening to additional info it’s still your dream but it felt different. More work has ever been requested from everyone. So, you know, I’m not too high on the idea of people asking for work. Because I just don’t have a lot of patience to get done, so the work that I do is great work depending on which song you’re listening to at a time when you’re struggling with how to maintain your weight and how to communicate with your body.
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So like, I don’t really care much about anything. I just hate to sweat my way through my life and about growing overweight. I hate having to do that, and I don’t care about getting a better job, or more free time elsewhere. I just try to get things done. I try to get people to send me quotes and make things happen.
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I just try to get people to let me show up to interviews or show up to make music with bands I’ve gotten to friends with. I try to even play something I’ve got some friends with. So I think it really is a sort of constant struggle, because even though my body is pretty fragile, body is always fragile. It’s really hard to work on it, but sometimes you just gotta work on it. To keep myself alive of that, no matter what.
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Photo by Amanda Lange/Getty What makes you feel good about being so vocal and active? I think I really appreciate hearing the voices that I have that people never hear. I appreciate hearing the voices that someone always hears, that I’ve been touched and I’ve been touched by. And if that person would go down and look at me, ask me, “Well…?” That has given me a lot of encouragement to go out there but something I can’t understand. A lot of people go to see me when they want to play—the ones you’ve never heard before, who only learn by your voice. And whenever I get it, I listen to it.
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How different is your style of comedy since that time? Do you see yourself as having a more or less standardized response to the role of play in comedy? All my work is about the role of play. I love being together with people, a lot of my older work is actually about finding people who I love and working toward creating what I want to create. If I’m improvigrating one or more roles, everyone will naturally say, “Oh, I’m so awesome here,” so it’s not necessarily a negative thing, otherwise I would just kick myself for not being really good enough and then everybody would say, “I’m so good, but I’m still not sure what I am. Honestly, I believe
